Creativity Creates Value -- 2010 China Professional Fashion Designer Creative Design Competition Preliminary Evaluation Results Released

When 30 judges were selected, they were all laid out in 5 judges' deliberation.

On the desk of the organizing committee, Chinese occupation.

The creative design competition has officially entered the final stage of fabric docking and ready to wear stage.

From the competition orientation to the entries, the participation of professional fashion designers has been increasing. The participation of foreign designers has increased the infinite topic of Chinese and foreign design contrast.

In addition, there are many works in the alternative ranks near the conference table. Some of these works may be able to achieve beautiful jumps only by a single modification. Some of the works may be controversial because of the slight difference between the preparation of their fabric samples and the effect diagrams. Some works may be obscured by the overwanton performance techniques.

Are there any entries for the competition?

The competition started from the solicitation stage, and received thousands of manuscripts. In this competition designer, we saw the beautiful effect of Zhang Jie, which was comprehensively adopted by the outstanding painting techniques. We also saw that the work of designer Cai He, who had a very high degree of combination of fabric samples and effect pictures, was passed by a vote. Of course, we also saw the performance techniques of Singaporean designers with unique design language.

Because of the attention of many competitions from the preliminary assessment to the final results, I hope to combine the experience of the contestants and the judges, and summarize a set of competition entries for the designers to see. Although each competition has its different starting points, such as its location, field and business use, it should be consolidated: several points that need special attention should be shared with the participating designers.

Li Xin's point of view is very concise, concise, clear questions, unique design language.

The viewpoint of the judge, Xu Ming, is to do a good job of market research before design. This view is also quite representative.

First of all, it is very necessary to find out the positioning of the competition, whether there are requirements for men's and women's wear, the total number of sets, the specific size requirements of the organizing committee, etc. if these basic conditions do not match, the excellent manuscripts may also be placed in the alternative ranks.

Secondly, the unique design language, that is, the personal style, is very important in the stage of the rendering of the competition effect. If there is a strong imitation, there is no sign.

His unique way of expression, it is difficult to stand out from thousands of manuscripts, so not only requires the basic skills of the participants, but also to find their own way of expression in the rendering.

Just like its ready-made works, an excellent designer's rendering is an appreciative work.

Third, a confident market research is particularly important in the competition of professional fashion designers. First, the provision of fabric samples must be the author's own visit to the market to investigate the trend of fashion, and to synchronize or even advance with the effect map, because the basic understanding of fabrics can be enough to complete.

The concept of physical objects, which seems to be a competition of the effect of drawing skills, is actually a contest of real strength.

Creativity creates value.

As an important factor, creativity has become a soft power to enhance the value of brands. Xiao Wenling's remarks are particularly profound. The increasingly concise process requirements and the talent gap faced by enterprises are necessary for certain products to withdraw from the market.

Similarly, how to find a foothold in one's own profession should be a question that should be carefully considered by prospective designers and practitioners.

Judge Wang Yi also stressed that, especially in the industry upgrading, enterprise pformation and capturing market space, designers even have 42 roles.

This is also the organizer of this competition. The fabric of Keqiao textile city is determined by the tens of thousands of fabrics that can be selected, and the "zero cost studio" for outstanding designers is virtually encouraged.

Strength can only be achieved through the accumulation of excellent design talents in order to have lasting fighting effectiveness and bright spring for clothing brands.

The role of Qiu Bing, the designers who originally hidden in industry, enterprise and brand, include designers from Chen Wen studio, Ling Ya Li studio and PNA studio, who have won a lot of market value with creativity and have a strong market position from Lining and long Mei. They have strong market position in the market and have just started the original designer brand STOGART. There are also institutions from Beijing Institute Of Fashion Technology, Dalian Polytechnic University and other students who emphasize the practical ability of students. Besides, designers from Japan, Korea, Singapore, Canada, who are not well known, have a deep subtext behind their names. Therefore, the Chinese professional fashion designer creative design competition has played the role of sand.