Analysis Of Art Deco And 1920S And Modern Minimalism

Speaking of next year's Oscar prize presentation ceremony and talking about professional running with small plums, we have to talk about the great Gatsby.

No matter how romantic and sentimental Gatsby is, it is not enough.

It's quite amazing. This film brought back the success of Art Deco from 1920 to the sight of people and exploded the heated discussion between Art Deco and minimalism.

Because both are compatible with the needs of industrial development, and Minimalism is due to the emergence of realism.

But it is undeniable that both have fully demonstrated the recognition and acceptance of industrial civilization.

Both lines are very straight and hard.

But relatively speaking, Art Deco is more gentle.

There are others.

Decoration, whether or not you blinding your eyes, it brings a sense of charming, you must admit.

OK, as we mentioned before, Art Deco is a direct manifestation of the women's liberation movement after the industrial revolution, but it is far from being so simple. First of all, this movement inspired Japan.

Style, so that people at the time of the European flashy form of expression began to pay attention to the beauty of "blank".

Then, the progress of the industrial revolution prompted the birth of the mass production line. However, the people who had liberated all the evil bosom also discovered the fact that the products produced by this line greatly gave up the beauty of the details.

These lines that are not carefully cut are too straight.

So a group of opinion leaders came out: since there is no sense of beauty in detail, it's OK to decorate and play.

This is almost the same as what I call "seeing temperament" mainly today. Anyway, it's all about looking at faces and decorations.

So Art Deco began.

However, in order to conform to the needs of the industrial production era, Art Deco can not be as sophisticated as the court era.

Therefore, from the stills of the great Gatsby, you can see that the clothes of the upper class celebrities are like a silk pajamas in the upper class dance, but the geometric art of installation is still very obvious: all kinds of bright sequins, Blingbling's metal ornaments, tassels, and beads, which are not exaggerated at all.

However, this can be understood. After all, the lines of clothing are enough "abstinence", and decorating and exaggerating is unavoidable.

However, one thing is that the weight of the dress has increased as the weight of the decoration has increased, and the rhythm of the dance has become more steady and graceful.

Is this Ming Sao more advanced than the stuffy waist of a palace banquet and the big chest of the chin?